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Category: Arts & Humanities

  • Valley Hope Launches Alcohol Awareness Campaign

    Valley Hope Launches Alcohol Awareness Campaign

    During National Alcohol Awareness Month in April, Valley Hope will highlight issues surrounding women and alcohol.

    Valley Hope, a nonprofit addiction treatment center, will highlight issues surrounding women and alcohol during National Alcohol Awareness Month in April.

    The residential and outpatient addiction treatment association plans to provide expertise on topics including women and moderate versus heavy drinking, personal recovery stories, rising alcoholism rates among women and alcoholism, throughout the month of April.

    “With alcohol misuse rates rising, women face particular challenges and health risks related to excessive drinking,” said Dr. Patrick Hall, executive vice president, Valley Hope. “We aim to help inform the public on this issue with a deep dive into topics that provide extended education and resources concerning women and alcohol.” 

    Visit gethelpfindhope.org throughout April to access information and resources related to women and alcohol. Explore Valley Hope’s Beyond the Valley blog for extensive resources and information for loved ones, families and the recovery community.

    For more information on addiction, treatment and recovery, visit valleyhope.org or for help 24/7 call (800) 544-5101.

    About Valley Hope:

    Valley Hope provides residential and outpatient addiction treatment services at 16 centers in Arizona, Colorado, Kansas, Missouri, Nebraska, Oklahoma and Texas. Since its founding in 1967, Valley Hope has helped more than 310,000 individuals overcome addiction to lead successful and productive lives in recovery. Learn more at VallyHope.org or follow Valley Hope on Facebook, Twitter and LinkedIn. For help, call (800) 544-5101.

     

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  • The Road to No More Victims – Impaired Driving Month

    The Road to No More Victims – Impaired Driving Month

    By Colleen Sheehey-Church

    My son Dustin had unforgettable, fiery red hair and a huge, goofy grin. He loved to make people laugh. One summer night shortly after graduating high school, Dustin got a ride with a 19-year-old driver who had alcohol and drugs in her system.

    Seat-belted and sober, Dustin was riding in the back seat when the driver lost control of the car, ran into an embankment and launched the car into a river. The driver and front seat passenger escaped. Dustin could not, and he drowned.

    As the immediate past president of Mothers Against Drunk Driving (MADD), I represent hundreds of thousands of people like me whose lives have been tragically, irreversibly changed by someone else’s decision to drive while impaired. To end impaired driving, we need to talk about it, and since April is Alcohol Awareness Month, there’s no better time to have this discussion.

    Impaired driving is a complex issue that grows more urgent by the day with the increasing prevalence of drug-impaired driving. Drugged driving is finding its way into the evening news and morning headlines across the country as a growing number of Americans get high and sometimes even overdose behind the wheel. Even more troubling, these drivers often combine substances like alcohol, marijuana and opioids, which exponentially increases their impairment and the likelihood of causing a fatal crash.

    Our response to this issue must be comprehensive. The United States has been successful over the past three decades in drastically reducing the number of impaired-driving fatalities through effective legislation, increased enforcement, stepped-up education campaigns, changing societal norms and a greater recognition of the need for addiction treatment. Impaired-driving fatalities dropped for years but have recently begun to tick back up. Far too many Americans—10,874 in 2017—lose their lives each year to completely preventable crimes.

    DWI courts are uniquely positioned to have one of the greatest impacts on impaired driving in our communities because they specialize in targeting and treating the population that poses the greatest threat to our safety: repeat impaired drivers with a substance use disorder.

    We know that the first arrest is rarely the first time someone has driven impaired. In fact, studies estimate that an impaired driver has done so more than 80 times before getting caught. We also know that for many of these high-risk, high-need individuals, punishment alone simply will not change their behavior. DWI courts combine evidence-based treatment to address their substance use disorder with structure and strict accountability to change the behavior that attends it, including close supervision and tools like ignition interlock.

    Research confirms that this approach significantly reduces impaired driving: participants in DWI courts are up to 60 percent less likely to reoffend than those sentenced to jail or standard probation.

    Unfortunately, there are just over 700 of these programs in the entire country, far too few to serve every eligible offender. The National Center for DWI Courts is committed to expanding DWI courts to make our roads and communities safer, and I’m honored to partner with them in this work.

    As a nation, we must have a greater sense of urgency. We must wage an unrelenting battle on the devastating, 100-percent preventable crime of impaired driving on our roadways. Clearly, our work is far from finished. But together, with your help, we can create a world with no more victims.

    Colleen Sheehey-Church is the immediate past National President of Mother’s Against Drunk Driving

     

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  • Anythink hosts special event with One Book Colorado author

    Anythink hosts special event with One Book Colorado author

    BRIGHTON, Colo.–April 8, 2019–As a participant in One Book Colorado, a yearly initiative that promotes early literacy by providing all 4-year-olds in the state with access to an exceptional and recently published book, Anythink will be hosting a special story time with Marcie Colleen on Tuesday, April 16, at Anythink Brighton. Marcie Colleen is the author of Penguinaut!, this year’s One Book Colorado selected book about a penguin who devises a plan to fly from the zoo to the moon. All attendees will receive their own copy of the book to take home, which are also available at all Anythink locations in both English and Spanish.  

    A new study published just this month by Ohio State University in collaboration with the Columbus Metropolitan Library highlights the importance of young children’s exposure to books: researchers concluded that young children who are read five books a day by their caregivers enter kindergarten having heard about 1.4 million more words than kids who were not read to. What is being referred to as the “million word gap” may be one explanation for literacy and vocabulary disparities experienced in American schools. As an organization focused on providing early literacy opportunities for children of all ages, Anythink is a primary source for supporting the educational success of children and families in the Adams County community. The study’s lead author, Jessica Logan, notes in the announcement of the findings that “exposure to vocabulary is good for all kids” and that “parents can get access to books that are appropriate for their children at the local library.” In addition to providing access to top-quality reading materials, Anythink offers a wide range of early literacy programs for kids of all ages, led by highly trained staff members.

    “We’re proud to again be a partner in highlighting this year’s One Book Colorado author,” says Suzanne McGowan, Anythink’s director of customer experience. “Early literacy is one of the most critical services we provide at Anythink. Libraries provide the youngest members of our community with the skills they need to thrive.”

    One Book Colorado is a collaboration between Serve Colorado, the Colorado State Library, Denver Preschool Program, the Colorado Office of Early Childhood, public and military libraries, the private sector and non-profit communities.

    Event Details

    A Very Special Story Time with

    One Book Colorado Author Marcie Colleen

    Tuesday, April 16, 2019

    6:30 pm

    Anythink Brighton

    327 E. Bridge St.

    Brighton, CO 80601

    303-405-3230

     

    Anythink presents a special story time with Marcie Colleen, author of Penguinaut!, this year’s selected One Book Colorado title. Penguinaut! is the story of Orville the penguin, who concocts a plan to travel from the zoo to the moon. This event is an opportunity for children and caregivers to interact with a nationally acclaimed storyteller. Attendees will also receive a copy of Penguinaut! to take home. This event is free and open to the public.

     About Anythink

    Anythink is a new style of library – a place of unlimited imagination, where play inspires creativity and lifelong learning. Anythink serves the residents of Adams County, Colo., with seven libraries and a bookmobile. With a focus on innovation, Anythink’s award-winning approach to library service is recognized by industry leaders and organizations across the globe. For more information, visit anythinklibraries.org.

     

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  • Comedian Tiffany Haddish to perform at RamFest April 11

    Comedian Tiffany Haddish to perform at RamFest April 11

    After almost a year of hard work, RamEvents is excited to announce this year’s headliner for RamFest: Tiffany Haddish.

    The show will take place April 11 in Moby Arena. Tickets are $10 for students and $30 for community members. Tickets to RamFest 2019 are available at ramevents.colostate.edu or on campus at the Lory Student Center Box Office, open Monday-Friday, 8 a.m.-5 p.m.

    RamFest is an annual effort by RamEvents to bring nationally recognized speakers, musicians, comedians and other performers to CSU in either fall or spring.

    About Tiffany Haddish

    With multiple high-profile projects and buzzworthy appearances to her name, Tiffany Haddish has quickly established herself as one of the most sought-after comedic actresses and performers. Haddish is perhaps best known for her breakout role in the smash comedy Girls Trip, where she appeared as the scene-stealing “Dina” alongside Jada Pinkett Smith, Queen Latifah and Regina Hall.

    She can currently be seen on the TBS comedy series The Last O.G., currently in production on its second season. She also stars in films Night School, The Oath, Nobody’s Fool, Limited Partners, The Temp, The Kitchen, The Lego Movie 2, and The Secret Life of Pets 2. She is a first-time Emmy Award Winner for Outstanding Guest Actress in a Comedy Series for hosting Saturday Night Live.

    Haddish continues to tour the country and perform to sold-out crowds on her “She Ready” comedy tour. Her debut stand-up special, “Tiffany Haddish: She Ready! From the Hood to Hollywood,” was released on Showtime in August 2017.

    Haddish’s journey and life experiences have inspired her comedy and sense of humor both on and off the stage. While growing up in foster care in South Central Los Angeles, her excessive talking and imaginary friends prompted her increasingly-flustered social worker to steer her into standup comedy by enrolling her in the Laugh Factory’s Comedy Camp, a place for at-risk and underprivileged children to transform negative energy into something positive. The experience became just the beginning of her comedy career.

    About RamEvents

    RamEvents is the “for students, by students” programming board of Colorado State University, operating out of the Campus Activities office in the Lory Student Center. As an inclusive programming board, RamEvents aims to meet the needs of CSU’s diverse student community by hosting a wide range of events, including, but not limited to: live concerts, recognition for heritage and history months, lectures and comedy shows. Through these programs, including RamFest, RamEvents seeks to provide CSU students with diverse and affordable events that both entertain and enrich the CSU experience.

    For more information, email 

     

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  • Colorado Ballet Closes Season with Ballet MasterWorks

    Colorado Ballet Closes Season with Ballet MasterWorks

    DENVER, CO (March 18, 2019) – Colorado Ballet will present the grand finale to its 2018/2019 season, April 5 – 14 at the Ellie Caulkins Opera House, performing works that will showcase the artistry, athleticism and mastery of Colorado Ballet’s dancers. The program opens with George Balanchine’s beloved Serenade, set to Tchaikovsky’s Serenade for Strings, and concludes with the acclaimed production of Fernand Nault’s Carmina Burana, set to Carl Orff’s evocative and powerful score, performed live by the Colorado Ballet Orchestra and the Evans Choir. The chorus will perform Carmina Burana on stage alongside the dancers.

    Colorado Ballet’s audiences and dancers simply can’t get enough of Balanchine’s Serenade. “When you dance Balanchine’s choreography it feels amazing because it’s made for exactly how dancers want to feel on stage,” states Colorado Ballet Artistic Director Gil Boggs. “Serenade was the first ballet Balanchine choreographed when he came to America in the 1930s. Audiences love it because it is simply an inspiringly beautiful ballet.” 

    Boggs chose to launch this production of Carmina Burana to showcase the artistry of the company’s dancers. “Fernand Nault’s Carmina Burana is an extremely well-conceived ballet, and beautifully portrays the emotion and joy needed for this the piece. It’s not overly done,” states Boggs. “I really like Nault’s Carmina and have always wanted to do it. The way he incorporates the choreography to match the music highlights the experience of hearing it.”

    More About Fernand Nault’s Carmina Burana

    Acclaimed Canadian dancer and choreographer Fernand Nault created Carmina Burana in 1964, and re-launched it in 1966 with Les Grands Ballets Canadiens. It received great acclaim and international fame following its appearance at Expo 67 in Montreal—the great World’s Fair of the 20th century.

    This performance of Carmina Burana will mark the first time it has been performed in the Western United States since Colorado Ballet performed it in 1978. Fernand Nault’s connection to Colorado Ballet in the 1960s and 70s came as a result of his friendship with the company’s founders Freidann Parker and Lillian Covillo. For a number of years, Nault served as artistic advisor of Colorado Ballet, and in 1980 became its first artistic director. 

    A long-time dancer with American Ballet Theatre, Fernand Nault’s choreography style was influenced by ballet greats such as George Balanchine and Antony Tudor, as well as the paintings of Italian artist Sandro Botticelli and the theatre. His Carmina Burana incorporates highly stylized movements, which the dancers showcase with respect and elegance. 

    Fonds Chorégraphique Fernand Nault’s trustee, Andre Laprise, traveled to Denver from Ottawa, Canada to stage the work on Colorado Ballet’s dancers for next month’s performances. He describes Nault’s work as “reinventing the ballet form but not the movements—it’s like a painting coming to life,” explained Laprise. “Fernand Nault’s Carmina Burana is a classic of our time, and I am so excited to see this historic moment when Colorado Ballet will share this amazing piece of art with audiences here in Denver, Colorado.”

    The Season Finale

    “I couldn’t think of a better way to close-out this year’s amazing, record breaking season than with our Ballet MasterWorks production,” stated Boggs. “All of our dancers have worked so hard this year, and this program gives them the opportunity to showcase their craft with some of the greatest 20th century dance repertoire. We are honored to share this celebratory season finale with all of our patrons and Colorado audiences. This has been a season for the history books and we can’t thank our patrons enough for helping to make it possible.”

    PERFORMANCE DATES AND TIMES

     

    Friday, April 5, 2019 at 7:30 p.m.

    Saturday, April 6, 2019 at 2 p.m.

    Saturday, April 6, 2019 at 7:30 p.m.

    Sunday, April 7, 2019 at 2 p.m.

    Friday, April 12, 2019 at 7:30 p.m.

    Saturday, April 13, 2019 at 7:30 p.m.

    Sunday, April 14, 2019 at 2 p.m.

    TICKETS

    Tickets range from $30 to $155. Visit COLORADOBALLET.ORG or call Patron Services at 303-837-8888 ext. 2 to purchase tickets.

    To continue to reduce the number of ticket resellers, please purchase directly through Colorado Ballet via the website or phone number listed above. Tickets purchased through resellers may not be valid.

    BALLET MASTERWORKS SPONSORS

    This production of Ballet MasterWorks is presented by the Denver Ballet Guild.

    Colorado Ballet receives support from the Scientific and Cultural Facilities District (SCFD). Supporting sponsors include Anadarko, Colorado Ballet Auxiliary and Pura Vida.

     

    UPCOMING 2019/2020 SEASON

    Don Quixote | Oct. 4-13, 2019

    The Nutcracker | Nov. 30 – Dec. 24, 2019

    Peter Pan | Jan. 31 – Feb. 9, 2020

    Tour de Force | March 6 – 8, 2020

    Ballet MasterWorks | April 3-12, 2020

    ABOUT COLORADO BALLET

    Presenting exceptional classical ballet and innovative contemporary dance through performances, training, education and community engagement, Colorado Ballet continues to inspire and grow an increasingly diverse audience base in Denver, Colorado. As a world-class professional company, Colorado Ballet presents more than 55 performances annually to sold-out audiences in the 2,000 seat Ellie Caulkins Opera House. The Company’s 33 professional dancers and 22 studio company dancers come from all over the world. In 2014, Colorado Ballet moved into its new home, The Armstrong Center for Dance, a 35,000 square foot building that boasts eight state-of-the-art professional dance studios and amenities for the professional Company. 

    Established in 1961 by Lillian Covillo and Freidann Parker, Colorado Ballet is a non-profit organization celebrating 58 years of presenting classical ballet and superior dance. Under the direction of Artistic Director Gil Boggs, Colorado Ballet performs classical ballet masterpieces, full-length story ballets and its critically-acclaimed repertory production Ballet MasterWorks, featuring varied works from neoclassical ballets to world premieres.

    The Raydean Acevedo Colorado Ballet Academy serves over 1,200 students from toddlers to seniors each year and has doubled in size since 2014. Colorado Ballet’s Education and Community Engagement programming serves under-resourced students, teachers, families, people with disabilities and lifelong learners, reaching more than 35,000 contacts in 300 schools and organizations annually.

    Colorado Ballet enhances the cultural life of Colorado through performances of the professional company, training at the Raydean Acevedo Colorado Ballet Academy and Education & Community Engagement programming. For more information please visit COLORADOBALLET.ORG

     

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  • Media Advisory: Colorado’s First Gentleman Hosts Pet Adoption Event

    Media Advisory: Colorado’s First Gentleman Hosts Pet Adoption Event

    DENVER — Colorado’s First Gentleman Marlon Reis is hosting a free adoption event to increase awareness to find loving forever homes for lost or abandoned animals. The First Gentleman is partnering with Denver Animal Protection and Denver Animal Shelter.

     

     

     

     

     

    WHO: First Gentleman Marlon Reis

    WHAT: “Colorado Loves Pets” Adoption Event

    WHERE:         The Governor’s Residence at the Boettcher Mansion

            400 E. 8th Ave., Denver.

    WHEN: Saturday, March 9, 2019 at 1:15 p.m.

    MEDIA:             Please RSVP to .

    Denver Animal Protection (DAP) provides animal care and protection services for all of Denver County. DAP operates Denver Animal Shelter (DAS), an open-admissions shelter that is home to more than 7,000 lost and abandoned pets each year.

     

     

     

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  • Kate Greenberg, Colorado’s new ag commissioner, on climate change and mental health in rural America

    Kate Greenberg, Colorado’s new ag commissioner, on climate change and mental health in rural America

    by John Herrick

    Colorado Independent

    The 31-year-old takes the helm at a time when water scarcity and economics pose major challenges to western farmers

    Kate Greenberg, 31, has spent most of her adult life advocating for agriculture, a calling that’s taken her from farmers’ kitchens in the rural West to the halls of the Capitol in Washington, D.C. When Gov. Jared Polis selected her as Colorado Department of Agriculture commissioner in December, Greenberg became the first woman in state history to serve in that role. 

    Greenberg, who now lives in Durango, grew up in Minneapolis and later moved to Washington, where she graduated from Whitman College with a degree in environmental studies and humanities. It was in college when she developed an interest in agriculture. In 2013, she was named western program director for the National Young Farmers Coalition, a New York-based nonprofit that lobbies for sustainable agriculture and helps young farmers find affordable land. In 2016, she won the Western Resource Advocates’ “Emerging Leader Award.” 

    As Colorado’s ag chief, she oversees 300 employees across eight divisions, including the state fair and plant and livestock health. She takes the job, which paid $167,000 last year, according to the Denver Business Journal, at a time when climate change and water scarcity pose major challenges to western farmers. 

    She does not view her age, gender or urban roots as barriers in her new role. She believes her willingness to listen is more important than where she comes from. “I see people with struggles. And I have compassion for their struggles. And I have an interest in understanding how we can provide services to alleviate what they’re up against,” Greenberg said. 

    The Colorado Independent sat with Greenberg in her Broomfield office, the department’s headquarters. We talked about how she’s settling into the new digs, her history of sleeping overnight in her car, and what challenges to farming in Colorado keep her up at night. 

    The following transcript of our conversation, which included a phone interview, was edited for clarity and length. 

    The Independent: You’re the first female commissioner for the Department of Agriculture. What has the reception been like? 

    Greenberg: Overall really positive. … I am among at least 13 women holding this position across the country, which I believe is the highest number to date. It’s been so exciting to be out meeting young women in agriculture — exemplifying, illustrating and hammering home that ag is a place for women to be in leadership positions.  

    The Independent: As a woman trailblazer, what has the culture here been like? 

    Greenberg: Nothing that has shocked me. I don’t think any woman would be shocked by entering a leadership role. There is always change, and folks deal with it in different ways. I’m just kinda going on as I would. We’ll put it that way. … There has been nothing but support from inside the department.

    The Independent: What drew you to farming? 

    Greenberg: I loved working outside and being outside. I have a love for the land. And until I left Minnesota, I never thought about where my food came from. And once I started thinking about that, it was just a natural next step for me to start the work of growing food, and figuring out what it takes to that. From there I was hooked. 

    The Independent: Tell me more about your background in farming. 

    Greenberg: I interned as a student on a draft horse farm. After I graduated (from college), I farmed full-time for a season in western Washington. From there I continued to do seasonal work on farms and in natural resources across the West and northern Mexico. I worked on two winery farms in northern California and volunteered on a farm in Tucson while I was living in Mexico. My other work was in natural resources, so I was managing field programs that focused on the policy and ecology in the Intermountain West. When I lived in Mexico, I wasn’t growing food, I was growing trees. But I was helping to manage a greenhouse operation and restoration field site, which included flood irrigation, seed management, planting, volunteer management, monitoring, etc. 

    Blue Mesa Reservoir on Oct. 22, 2018. (Photo by John Herrick)

    The Independent: At the Colorado Water Congress last month, you said one of the issues facing farmers is mental health. Do you know anyone personally dealing with this issue? 

    Greenberg: This is something that we worked on at the Young Farmers Coalition. It started with a previous staff member … who published a piece in The Guardian really exposing the mental health crisis across the U.S. in the ag community. That helped spur a dialogue. Our farmers started to mobilize around both state and federal policy that can assist in rural mental health. Around the same time, a member of our Washington Young Farmer Coalition … had died by suicide. And it rattled the entire community. There was actually a subsequent death by suicide in our network, in California, as well. … Of course, the ag department here has the Crisis Hotline. The work that Christi Lightcap and former Commissioner Don Brown and the rest of the team has been doing is not only providing a pathway for Colorado producers to access mental health resources, but also breaking down the taboo of talking about it when you’re struggling. This is a big deal to me — supporting what we started. Growing it. If you’re struggling, it’s not because you’re a failure. It’s because you’re struggling and there are resources here to help you. … Farmers and ranchers pour their lives into their business — life and work and family and land and income are all intertwined in a farm business. For most people, a hail storm means you might get some dents in your car, you might have to pay for some repairs. If a farmer gets a hail storm and it wipes out their crop, that’s their income. … I think it can’t be overstated how much you pour your heart and your sweat and blood into the work, and a single event or a change in the market or a change in federal policy can kinda take you out at the knees. 

    The Independent: Have you been in that kind of situation? 

    Greenberg: I’ve always worked for other people. I have never been the one bearing all the decisions, which is a totally different place to be. 

    The Independent: You’ve worked in the water community and are well aware of the issues facing Colorado in terms of water scarcity. Does that keep up you up at night — the future of agriculture in the West? 

    Greenberg: That is one deep concern that I bring to this role. Without water, we don’t have much of anything. For agriculture, it is fundamental. I see this as a critical moment of agriculture to be part of the water plan process — the implementation, the funding, how it comes out on the ground. … Essentially what I said [at the Colorado Water Congress on Feb. 1] is that this is a time for agriculture to step up. One reason I’m here is because I don’t take it for granted that we are going to have water for agriculture in the future. With the rate of growth in the Front Range, in urban areas of the Front Range, the trend has been toward ‘buy and dry.’ A lot of the transactions are voluntary and compensated. But farmers should have options. … Climate change is a big — one of the biggest — challenges we face in agriculture, and farmers and ranchers should be at the forefront of dealing with that. 

    I split time in Denver, and I was talking to folks here who didn’t know we had a drought this last year. I live in Durango, where you step outside and the 416 Fire is burning up, the valley is filled with smoke, we have producers who had to cull their herds because there is not enough forage or hay — hay prices went up — and producers are making the decision, ‘Is this the year I have to call it quits?’ I guess I see that distinction, where you can be buffered in the city and not know we’re in the drought. 

    The Independent: What is it like living on the West Slope and working over here? How much time to you plan to spend in the Front Range versus the West Slope? 

    Greenberg: I like to spend as much time in the field as possible. And I have to get to a lot of places I haven’t been yet, like the Eastern Plains. … Home base is Durango. Work is Denver. Fieldwork is statewide. I worked with hundreds of producers and organizations across the state before this job. And I was also kind of living life out of my car before this job. And I thought maybe at some point I would get away from the whole living-out-of-your-car thing but it doesn’t look like that’s going to happen. I’m still going to be out roaming the state. 

    The Independent: You’ve been known to sleep in your car. Is that still the case?

    Greenberg: I haven’t done that for a while. But there have been nights. I usually try to stay with farmers and ranchers who will host me. And have a home-cooked meal. I’m not much for hotel stays. 

    The Independent: Your walls here are bare. Your ‘Commissioner’s Office’ sign is on the floor. Is that a reflection of being on the road? 

    Greenberg: I’m not much of an interior designer. Thinking about how to fill my walls has been the least of my priorities. 

    The Independent: As the ag chief, you’re going to be talking to a lot of traditional farmers, many of whom are older men. How do you find common ground with them, and where do you see challenges? 

    Greenberg: It’s not really an issue for me at all. If folks want to fixate on differences, that’s fine. But really where I fixate is on what we have in common. There is nothing about my background or my age or my gender that is a barrier to me because I see people as people. I see people with struggles. And I have compassion for their struggles. And I have an interest in understanding how we can provide services to alleviate what they’re up against. I meet people where they’re at. I hope that folks will do the same. That’s what I’m interested in — building relationships and finding common ground. 

    The Independent: How much do you think Gov. Polis knows about farming?

    Greenberg: Together we are excited about Colorado agriculture. … Agriculture has support here in Denver. I am excited, I’m honored, to be able to represent agriculture in this administration — to be a voice for all farmers and ranchers. It doesn’t matter where you come from. No on person can come from everywhere, right? So in order to represent the extent of the industry, it’s not about coming from that place. It’s about can you work with those people? Can you get out in the field and understand how people are struggling? Can you build coalitions and collaborations across differences? No matter where you come from or what your experience is, there are other skills and tools you can bring to build up the industry, to support people and their work, and to make sure the agriculture community knows they are represented here in Denver.

     

    @COindependent on Twitter and @coloradoindependent on Facebook

     

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  • March at the DAM: Treasures of British Art: The Berger Collection Opens, Last Chance to View Dior: From Paris to the World, Spring Break Fun, Month of Photography Lecture Series and Other Highlights

    The Denver Art Museum (DAM) is honored to present Treasures of British Art: The Berger Collection. Opening on Free First Saturday, March 2, the exhibition, showcasing about 60 paintings gifted to the museum by the Berger Collection Educational Trust (BCET), will present 500 years of British cultural history through the stories of its people, captured by the enduring brilliance of artists of the time. The exhibition in included in general museum admission.  #TreasuresatDAM

    Time is running out to see Dior: From Paris to the World! March 17 is the last day for this spectacular exhibition, which surveys the house of Dior’s lasting legacy and its global influence. More than 200 couture dresses, as well as accessories, costume jewelry, photographs and other archival material, trace the history of the iconic haute couture fashion house, its founder, Christian Dior, and the subsequent artistic directors who carried Dior’s vision into the 21st century.  A special dated and timed ticket, which includes an audio tour of the exhibition as well as general museum admission, is required. #DiorinDenver 

    Also on view in March:

         ·   Jordan Casteel: Returning the Gaze presents 29 paintings by the Denver-born artist and provides audiences with a first look at new work by one of the most acclaimed emerging artists working today. This is Jordan Casteel’s first major museum exhibition. #JordanCasteelatDAM

         ·   Eyes On: Julie Buffalohead features a new series of works on canvas by the Minnesota-based artist that explore her own life experiences, as well as ancestral knowledge.

         ·    Stampede: Animals in Art brings together more than 300 objects from across the DAM’s collection to explore animals in art throughout centuries and across cultures.

        ·   Eyes On: Erika Harrsch opens March 10. Her multi-media installation is comprised of imagery, music, text and furnishings that reference the circumstances faced by immigrants and refugees subject to the DREAM Act. 

    All exhibitions on view in March except Dior: From Paris to the World are included in general admission, which is free for members and youth 18 and younger. 

    During Spring Break at the DAM (March 1631), The Print Studio, Create-n-Takes and gallery games and activities will be available every day. Art Emergency: Sculpture Edition, an original family-friendly play, will be presented March 2529 at 11 a.m.

    There’s plenty for kids and families to do the rest of the month as well, with Free First Saturday (March. 2), Foxy and Shmoxy: Art Detectives (March 10), Create Playdate (March 13), and hands-on fun in A Walk in the Woods and the Print Studio whenever the museum is open.

    March offers several opportunities to hear artists speak about their art and process. The DAM is celebrating the Month of Photography with a series of lectures by local photographers—Tom Finke (March 7), Susan Goldstein (March 12) and Evan Anderman (March 19).  On March 13, Simphiwe Ndzube—who lives and works in both Los Angeles and Cape Town, South Africa—speaks as part of the Logan Lecture Series.  In his March 20 talk, Indians in the Wilderness with Artist Gregg Deal, the provocative contemporary artist (Pyramid Lake Paiute Tribe) challenges Western perceptions of Indigenous people, touching on issues of race, history and stereotype.  

    On March 29 at Untitled Final Friday, featuring Suchitra Mattai, join us to explore building cross-cultural narratives around ideas of home. The DAM’s monthly late-night program also includes performances, tours, artmaking activities and more to spark your creativity. Included in general admission, which is free for members and youth 18 and younger. Students with valid ID receive two-for-one tickets during Untitled. #UntitledDAM

    Other lectures and programs for adults this month include Drop-In Drawing (March 12), Unplugged: Mindful Movement & Self-Image (March 15), Mindful Looking (March 19), andDrop-In Writing (March 26).

    The Hamilton Building is open seven days a week, and general admission is free for youth 18 and younger every day.

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  • February at the DAM: Jordan Casteel: Returning the Gaze Opens, Dior: From Paris to the World Extended to March 17, Hearts for Art Returns and Other Highlights

    February at the DAM: Jordan Casteel: Returning the Gaze Opens, Dior: From Paris to the World Extended to March 17, Hearts for Art Returns and Other Highlights

    The Denver Art Museum (DAM) is proud to present Jordan Casteel: Returning the Gaze, opening Feb. 2. The exhibition will showcase about 30 paintings by Denver-born artist Jordan Casteel, now based in Harlem, New York. This presentation represents Casteel’s first major museum exhibition, and provides audiences with a first look at new work by one of today’s most acclaimed emerging artists.

    The spectacular Dior: From Paris to the World, surveying more than 70 years of the house of Dior’s enduring legacy and its global influence, has been extended and will remain on view through March 17. More than 200 couture dresses, as well as accessories, costume jewelry, photographs, drawings, runway videos and other archival material are on view. A special dated and timed ticket, which includes an audio tour of the exhibition as well as general museum admission, is required. 

    Eyes On: Shimabuku, which closes Feb. 3, showcases a video by Japan-based artist Shimabuku titled Do snow monkeys remember snow mountains? This video illustrates the adaptation of a group of Japanese snow monkeys living in a Texas desert sanctuary since they were brought to the U.S. in 1972. 

    Eyes On: Julie Buffalohead, which has a thematic relationship to Eyes On: Shimabuku and Stampede: Animals in Art, has been extended through April 21, 2019. Buffalohead and Shimabuku use the depiction of animals as a vehicle to explore both familiar and unfamiliar narratives related to their personal heritage and the world around them. The Minnesota-based artist, a citizen of the Ponca Tribe of Oklahoma, uses metaphors, iconography and storytelling narratives in her artwork to describe emotional and subversive American Indian cultural experiences.

    All exhibitions on view in February except Dior are included in general admission, which is free for members and youth 18 and younger.

    The DAM is ready for Valentine’s Day as we celebrate Hearts for Art 2019. Join us and other museums across the country to spread the love Feb. 11-15 by placing a paper heart on the floor in front of your artwork crush.

     On Feb. 22 at Untitled Final Friday, featuring Black Actors Guild, join us to explore dynamic narratives from Denver’s Five Points neighborhood through music, poetry and performance, and Buntport Theater’s Joan & Charlie are back as well. The DAM’s monthly late-night program includes performances, tours, artmaking activities and more to spark your creativity.Included in general admission, which is free for members and youth 18 and younger. Students with valid ID receive two-for-one tickets during Untitled.

    Other lectures and programs for adults this month include the Anderman Photography Lecture: John Chiara (Feb. 6), Unplugged: Meditation (Feb. 15), a day-long symposium Who Owns Culture?  Appropriation and Appreciation in the Global Art World (Feb. 22), and a talk by the contemporary Tibetan artist, activist and poet at the Logan Lecture: Tenzing Rigdol(Feb. 28).

    Kids and families will find lots to do at the DAM, with a Low-Sensory Morning offered on Feb. 23,  Free First Saturday (Feb. 2), Foxy and Shmoxy: Art Detectives (Feb. 10), Create Playdate (Feb. 10), and hands-on fun in A Walk in the Woods and Print Studio whenever the museum is open.

    The Hamilton Building is open seven days a week, and general admission is free for youth 18 and younger every day. The museum will be open on President’s Day, Feb. 18.

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  • LEGO BRICKS at Kelver Library – Jan 24th

    LEGO BRICKS at Kelver Library – Jan 24th

    Children ages 5-8 are invited to collaborate and build with LEGO® Bricks on Thursday, January 24, 4-5:30 p.m. at Kelver Library . Make your own masterpiece or use the time to create a piece for our themed LEGO® Bricks contest. We’ll provide the LEGO® Bricks, you provide the imagination.

    To save your spot or more information, call 303-822-9392 or visit arapahoelibraries.org.

    WHERE: 404 E. Front St., Byers

    WHEN: Thursday, January 24th, 2019 @ 4 p.m.

     

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